The trip to Atlantic City last Friday was quick but fun. My friend MyCatTom and I yakked away for the entire trip up and the entire trip back which made the drive seem really short. We rehearsed in the afternoon and did the concert that night. The various "Swingettes" came from DC, NY, Philadelphia, North Carolina, and Atlantic City. I enjoyed playing with all of them. There wasn't much free time, but I was able to hobble on down to the beach. It was unbelievably cold and windy there. On the way home the road was extremely well-lit by an enormous full moon.
The Messiah rehearsal and concert over on Kent Island last weekend went well. But I had to get up at the crack of dawn, which not exactly my favorite time of day.
I'm totally finished with school for the semester. I really enjoyed teaching my class, but I'm glad I don't have to do it next semester because my own course load is going to be much larger than it was this fall.
I'm playing a musical adaptation of Theodore Roethke's poem "The Waking" for December graduation at UMD tomorrow. Just me and a singer. She has a beautiful voice and it's a pretty cool piece. The bass part works great in the original "guy" key but the transposed bass part lies in a kind of awkward and less resonant area of the bass, so there's no way to make it sound as good as the recording. Even the bass player on the recording would not be able to sound as good in the key I'm doing it in. So that's a little frustrating, but I think the over all effect will still be nice. I haven't played in a hall as big as the Comcast Center for a few years so I'm looking forward to that as well. We had the soundcheck this morning and the sound guy is great. I'm digging the reverb - a lot! Anyway, here's the original version of the piece, in the original, more resonant key.
I'm playing a musical adaptation of Theodore Roethke's poem "The Waking" for December graduation at UMD tomorrow. Just me and a singer. She has a beautiful voice and it's a pretty cool piece. The bass part works great in the original "guy" key but the transposed bass part lies in a kind of awkward and less resonant area of the bass, so there's no way to make it sound as good as the recording. Even the bass player on the recording would not be able to sound as good in the key I'm doing it in. So that's a little frustrating, but I think the over all effect will still be nice. I haven't played in a hall as big as the Comcast Center for a few years so I'm looking forward to that as well. We had the soundcheck this morning and the sound guy is great. I'm digging the reverb - a lot! Anyway, here's the original version of the piece, in the original, more resonant key.